The Things the Reader Won’t See

This weekend flew by too fast, as weekends do.
I spent an enormous amount of time doing writerly things: writing (of course), cover design (ask me about recolouring an image pixel-by-pixel), formatting, editing, exploring some publicity options and looking for freelance work.

Do I feel like I got enough done?

Never.

There’s such an incredible amount of behind-the-scenes work for indie writers. If I want someone to read my stuff, I have to polish it myself, upload it myself, advertise it myself, proof it, read and reread it myself.

Is it worth it?

Absolutely.

One day I hope to make this my living. One day I will. But not if I let the little things drag me down and overwhelm me. I have to want it more than the tiredness, the lack of time, the frustration.

If this looks like complaining, don’t worry. It’s not. I don’t have enough time or energy to complain. This is just me laying out the obstacles and vowing to crush them to dust.

5 Things I’ve Learned As an Indie Writer

I’ve really only been doing the publishing thing since mid last year, so I’m sure there are things I’m doing wrong that I haven’t even caught yet. But here’s a sample of some lessons I’ve learned:

1. Do it (mostly) yourself. This is first on my list because it’s my biggest mistake. I had been trusting a third party distributor to take care of submitting all my work to Amazon, iTunes, etc. I didn’t realize, and they didn’t tell me that they had stopped distributing to certain markets (permanently? I don’t even know.) Anyway, I didn’t catch on until I read it somewhere else, and lo and behold, my stuff’s been missing from a major market this whole time. I should have gotten off my lazy ass to format and upload these stories myself. I missed out on months of potential exposure. Don’t do that.

2. There are people who have been doing it better, longer. It’s so, so hard not to hold myself up against other indies. I want my work out there, en masse, and it was hard at first not to run myself ragged trying to “keep up” with the “competition”. But there’s no way to compete with the back catalogue of a writer who’s been publishing for years already. You can write as fast as you like, and they’ll be putting out new stuff just as fast. Besides, the volume of work means nothing; it’s the quality. It took me a surprisingly long time to realize that.

3. Readers will read what they like. Period. It doesn’t matter if there are a zillion zombie stories. If someone likes zombie stories, they’re…wait for it…going to read zombie stories. A good story is a good story, and there’s room in the niches if you have a great, unique tale. You don’t have to be there first. You just have to be good.

4. Write what you want to read. Okay, check it out: I know we’re all “supposed” to read literature. We’re supposed to be cultured and erudite and know who Ishmael is. I get it. But most of the classics I’ve read bore me. I don’t get into ladies-and-carriages-and-tea unless someone dies a horrifying death. I like horror; it’s the one thing I come back to again and again. When I read, personally, I’m there to enjoy myself. You may be different. But life’s too short to read books you don’t like, and it follows that you shouldn’t force yourself to write them, either.

5. Don’t be humble. I’m putting this one here mostly as a reminder to myself. I don’t mean be a jackass; I mean don’t be afraid to talk yourself up a little here and there. It’s awkward, for me at least, to talk about my writing to people (in person). I’m surprisingly shy in certain situations, and to me it feels like I’m being pushy if I talk about my work for sale. The funny thing, though, is that I can’t very well expect people to read my stuff unless they know it exists. It’s something I’m working on.

Any other indies want to chime in? What have you discovered so far?

Author Kristen Lamb's avatarKristen Lamb's Blog

Photo via Happy Housewives Club, which is a FANTASTIC site, btw.

I have always struggled with organization, and frankly, if don’t make a list, I will be sorting baby pictures or writing out greeting cards in three minutes flat. I’ve always been envious of people who run their homes with military efficiency. You know the people I am talking about; those folk who aren’t afraid of their closets and actually know what is in every drawer. Show-offs :P.

Yet, I have to say that just because something is our nature doesn’t mean that we are to be a victim to our innate shortcomings. In fact, Bob Mayer gave a really interesting exercise in his Warrior Writer Workshop. He said to look at your Myers-Briggs personality…then look at the opposite of your personality, and likely that is the area you need the most work. I am going to take it…

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Dark Side: Seven Repulsive Stories

My first collection of scary tales is now available! Get all seven of my current e-releases for a low package price. Contains the stories:

Dump Room
Boogeyman
Screee
Mr Buster’s Bodies
Better Fat Than Dead
Overtime

and my most disturbing story yet, What’s Inside

Yeah. That last one raises some eyebrows.

My New Tattoo: Part 1

I have a new love. This is an Olivetti Studio 44, from the fifties. It types in cursive! I modified the colour to make it brighter; check out the photos at Classic Bride to see the real deal.

And no, it’s probably not the same model, but Stephen King (one of my writing heroes) says this:
“Tabby claims that I married her for a typewriter. She had a nice little Olivetti, portable typewriter, very sturdy and I wrote Carrie on it, Blaze and a bunch of other stuff as well. I guess I wrote Shawshank on that typewriter too, on a kitchen table in Boulder…” (source)

I also got another tattoo, but you’ll have to wait until I can get a better picture of it. (Ooooh, suspense!)

101 Tips for Writers

OnlineCollege.org has compiled a list of 101 Tips from the World’s Most Famous Authors. You’ll find everyone here, from Hemingway to Stephen King.

My favourite?

Dr. Seuss. Be responsible for your own success. “You have brains in your head. You have feet in your shoes. You can steer yourself in any direction you choose. You’re on your own. And you know what you know. You are the guy who’ll decide where to go.”

What’s yours?

Rejected.

It finally happened.

I got rejected this week—twice!—for two different pieces, from two different markets. Honestly, until now I’ve been incredibly fortunate. The work I’ve been submitting traditionally has hit the right publishers at the right times and was accepted every time. Up until now, I’ve enjoyed a perfect run.

It was bound to happen, and to be honest I thought it would be upsetting when it did.

But I’m okay.

I thought I would take my first rejections personally. I thought I would judge myself harshly and feel rejected as a person. But I don’t. I’m still new to the publishing game, and it would be unfair to myself to expect perfection. Either the work I submitted was good, just not for those particular markets, or it sucked and I just didn’t see it.

That’s the important distinction. The work might have sucked. And if the work sucked, it doesn’t mean I suck. It means I have more to learn, and hundreds of thousands of practice hours ahead of me.

Everyone expects to be able to write right from the start, because we all know how to put words on paper. But to be able to write well, that’s the part that only comes with hard work. It comes with failing, and hating it, and starting over.

And now that I know it’s not the end of the world, I’m less afraid of the next time. It’s a little liberating, actually.