Category Archives: New

New Horror Story: “All You Can Eat”

BRAND SPANKIN’ NEW HORROR from yours truly!
Excerpt from All You Can Eat below:

“I heard about it through my boss; her daughter’s friend’s boyfriend knows the guy who hung the drywall.”

“I know the painter.”

“I read about it online.”

Jenny and her husband, Nick, heard the murmurs as they walked the endless line that wrapped around the restaurant. It was a standalone building, one that had been a series of failed clubs. It had sat empty for months; it had been forgotten. Then all at once tall wooden walls went up around it, blank walls with no hint of the business to open. People became curious, and the longer it hid the more curious they got. No one knew who’d bought it. No one knew what it would be when the walls came down.

There were rumours, sure; in a small city like theirs, everyone wanted to know everything. Most figured it would be another bar, a bad idea out on the edge of town. It cost too much to get a cab there. There was no subway. It would fail, they figured, like all those other businesses had before it.

Must be someone new to town.
Must be someone who doesn’t know better.
But how could you not? some said, Commercial buildings don’t sell cheap for no reason.
Must be someone just starting out.

But as the noise behind the boards grew louder, people started getting excited. It sounded like they were knocking walls down in there. Maybe they were adding walls, getting bigger, changing the whole structure. Maybe the new owner knew what they were doing, after all. Maybe it had a fighting chance.

The last of the trucks pulled out on a Thursday afternoon.

My sister said it’s ready to open.
My husband’s coworker thinks it’ll be this weekend.

It sat, hidden and waiting, in the cool May night.
It caused three minor accidents as drivers craned their necks for a peek.

Friday morning came, and the fortress of plywood still stood. By this time, usually, there would be childish scrawls of spray paint along the front, complicated illegible signatures laid under the cover of night. But the wood remained untouched.

Sometime on Friday afternoon, the walls came down and a sign went up.
EAT. ONE NIGHT ONLY.
What does that mean?

Some said they wouldn’t be caught dead in a place that couldn’t even manage a proper name.
Some wondered what the hell the “one-night” bit meant, and exactly what kind of idiot was running the joint, anyway.
Some quietly left work early, rushing home to their closets, desperate to be the first at the doors.

By four it had made the drive-time news. By five the lineup had begun. By seven, while Jenny was badgering Nick to take her out, the line had made its first tentative steps around the back of the building. By eight, when they arrived, it had made a full loop and people were stacked two-deep.

“We could go somewhere else.” Jenny grimaced at the hint of whine creeping into Nick’s voice.

“We could, but we’re already here. And I heard on the news that they’re thinking this place might be closed tomorrow.”

“What the hell does that mean?”

Jenny pointed at the sign above the door. “’One night only’. They were saying this place might only be open for one night.”

“That’s stupid.”

“No, that’s avant-garde. It’s the thing, now, in New York and LA: these places open for one night then close forever. I heard weirdo billionaires run them. So if we leave…”

“It won’t be here tomorrow. Got it. Doubt it.” Nick eyed the inner line of people; women in impossibly high heels and men in suits that stopped just short of tuxedo. “The food better be really frickin’ good, if we’re waiting this long.”

“It’s not the food, it’s the experience.” Jenny beamed as she took in the people around her. She’d worn her most expensive dress, a designer piece she’d gotten at an outlet the summer before. Even with the rip it had cost her almost five hundred dollars, though of course she’d never tell Nick. She’d bought it with the leftovers of the grocery money. It was the first time she’d ever lied to him. She hadn’t known then when she’d ever hope to wear it, but here, in the heavy twilight, she felt at home. She’d even caught another woman looking her over approvingly.

“We could have gone to a movie.”

Jenny sighed. Men didn’t understand these things. She’d never get the chance to eat here again.
Ever.
To be glamourous, if only for an evening.

“Yeah, well, we’re staying.”

“My feet hurt.”

She rolled her eyes. The shoes she’d paired with the dress had heels four inches high and they pinched at the toes. She wisely said nothing.

The line moved forward sluggishly, and given their starting point they passed the entrance as it snaked by. Jenny tried to see over the people going in, tried to snatch a glimpse of what awaited them. It looked dark inside. She thought she caught a glimpse of blue uplighting, but that was all. Then the doors drifted closed and she was left looking at the small woman who tended them. The woman looked back at her, coldly, and Jenny was embarrassed at having behaved so gauchely.

She squeezed Nick’s hand.

After a moment, he squeezed back.

Nick looked over his shoulder; there were dozens of people already lined up behind them. All were dressed for the red carpet. He smirked. “This whole thing is ridiculous.”

“Fine. You really can’t stand being here? Let’s go, then.” Jenny pulled on his hand, and for a second Nick really thought she meant to leave. He sighed dramatically.

“No, we can stay. I guess. But you owe me.” He wiggled his eyebrows suggestively. She rolled her eyes.

They’d looped three sides of the building and were almost at the front again. This time they were on the inner track. Good thing, too, Jenny thought: the line was now three deep, long spirals of people speculating about what waited for them inside.

“Hey, wanna know what’s weird?” The tone of Jenny’s voice startled him.

“Mmm?”

“Where is everyone? I mean, we’ve been here an hour, and they keep letting people in but no one’s come out. Are they sitting on each other’s laps in there?”

Nick’s forehead creased. She was right: they’d been around the whole building and not once had they seen anyone leave the restaurant. A few people had been loitering in the parking lot out back, but that was it. He shrugged. “Maybe it’s bigger than it looks. They’ve gotta be fitting everyone in somehow.”

A cool, damp breeze blew past them, bringing with it the cold smell of damp earth. Jenny shivered a little and Nick put an arm around her.

At last they neared the doors. Only a handful of patrons stood ahead of them. Jenny tried to peer through the windows but the glass was blackened. The diminutive woman manning the doors scowled at her. Jenny smiled back nervously.

“At least she can’t spit in your food from out here,” Nick whispered into Jenny’s hair.

The last couple gained entry. Minutes passed, Nick and Jenny both desperately trying to avoid eye contact with the rabid little woman. She nodded infrequently, occasionally muttering so quietly into her headset that Jenny couldn’t make out the words. Finally she jerked her chin at them.

“Welcome to Eat, enjoy your meal,” she said mechanically, and pulled on the heavy brass handle.

Jenny froze, suddenly hesitant. She looked up at Nick. “I’m not hungry anymore.”

He grinned. “Come on, you simply mustn’t miss such an ‘avant-garde’ experience.” He stuck out his tongue and she followed him inside.

eat FINAL edit 2 fb
From All You Can Eat, new horror from Stefanie N Snider. Available now from Amazon and Smashwords.


Movie Trailer: “The Purge”

We saw this advertised when we went to Evil Dead, and it looks incredible. When’s the last time you heard of a movie with a completely original plot? I can’t wait til May 31st! (Maybe we’ll see it for our anniversary. That would be weird, wouldn’t it.)


Horror Comes to My Hometown!

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A section of Highbury Ave. was turned into a giant accident scene on Saturday night for the horror film Kingdom Come from London-based Matchbox Pictures.(HANK DANISZEWSKI, The London Free Press)

THEY’RE FILMING A HORROR MOVIE HERE!

Here’s the interesting part: there had been road-closure warnings on this road for a while, saying that the road would be closed from yesterday afternoon until early this morning. However, it seems that none of us outside the production knew it was for a film; most assumed it was for construction. Cue panicked Facebook updates about the 30-car pileup on the road, body bags in the street, requests for prayers for those who perished…

Nope, just a movie set. It’s called Kingdom Come.
From IMDB: “A group of strangers wake up in an abandoned hospital to find themselves stalked by a supernatural force with sinister intentions.”

I’m not sure exactly where the highway scene fits in, but according to our local paper, some of the movie will be filmed in an abandoned Victorian mental asylum located on the grounds of our current Psychiatric Hospital.

I can’t wait to see it all come together. This makes my haunted little heart very, very happy.

Read more here, here, or here.


New Horror Fiction: “Stakeout”

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“Partners Garrick and Ortega are assigned the stakeout of a suspicious house, using a thermal imaging camera. But when the equipment picks up a strange presence nearby, their mission takes a dark turn.”

Here’s a teaser:

“Holy shit, Eric, lookit this! Eric!”
“What?”
“Seriously, check it out. Number 126.”
“We’re supposed to be watching 124.”
“Yeah, yeah, whatever. Dude, just look.”
“Quit calling me ‘dude’.” Garrick snatched the thermal scanner out of Ortega’s hand. “What am I looking at, exactly?”
“Heh. You’ll know.” Ortega leaned his seat back so Garrick could aim the thermal past him. Its screen changed colours as he traced the house across the street.
“Which one’s which, again?”
A small wisp passed over the screen as Ortega exhaled loudly. “I told you. Red is hot, blue’s cold. It’s not hard. You shoulda been paying attention in training.”
“Right. Well, us big boys sometimes have other things on our minds.” He twisted the gold band on his finger and thought about belting the kid, just once. “You keep your eyes on 124 while I’m looking at…whatever you find so interesting.”
“Uh-huh. I’ll let you know if I notice a nice man carrying a bushel of marijuana over his shoulder… See it yet?”
Garrick had traced the front bushes and first floor of the house: nothing but faint glimmers from the electricity in the walls. Now he raised the machine, sweeping back and forth as they’d been trained. Paid attention to something, you little shit, he thought. The screen reddened slightly as he aimed the imager up the stairs and past a warm room — a bathroom, someone probably had a shower — then at once the screen blazed with colour. There was movement, repetitive and rhythmic. “What the hell?” It was something living, for sure, but it was much bigger than a person…

Grab a copy and see what’s going on at Number 126…
What could be going on right next door to you…

Available now at Amazon and Smashwords, and soon on iTunes and B&N!


“Mama”: A Very Spoiler-y Review

Like I said, spoilers ahead. SO MANY SPOILERS. Fair warning.

I loved it.

I had tried to avoid even watching the new versions of the trailer, because I hate going to a horror movie where all the scares are used up. Turned out that was completely unnecessary. There’s so much more to Mama.

So, we start with a distraught, suicidal father trying to kill his kids in the woods. No worry, Mama steps in to take him out, and from then on she adopts these little girls as her own. When they come back out of the woods, so does she. And she’s a very, very jealous parent.

There was a lot I didn’t expect from this movie. I liked seeing a female lead who’s “different”: tattooed, shacked-up, and not into the mother thing. Sure, the actress’s tattoos were probably fake, and she ends up ditching her Misfits t-shirt for a motherly turtleneck (REALLY?!) but still, it was a welcome change. I liked her impersonal interaction with the kids, though of course she warms to them in the end.

The jump scares were decent, too, and evolved from Mama being nothing but a shadow to having a horrible, twisted face. Her movements were disturbing; she died broken, and it shows. When she bent clear in half, backwards, the little hairs on my neck stood up. She scuttles like a cockroach, which never fails to be startling.

The kids were excellent. Lilly, especially. Her portrayal of a feral child was impressive, and her utter fixation on Mama and her artifacts had me believing.

SUPER-DUPER GIANT SPOILER TIME:

My favourite part? ONE KID DIES. When do you see that? When? I expected Uncle Lucas to die. I expected Annabelle, his girlfriend, to die. I almost expected both kids to die. But when Victoria refuses to go over the cliff with Mama, I thought for sure Lilly would stay with her. It turns out Lilly’s love for Mama trumps even the love she has for her sister, and she goes willingly into Mama’s arms one last time. That scene was unbelievable, in the realest sense: I thought it was trickery. I thought it was a “gotcha”, that Mama would fly back up at the last moment and drop Lilly unharmed into the arms of her family. NOPE. DEAD KID. WHAMMO.

And yet, I felt pity for Mama. She really wasn’t a monster, she was confused and heartbroken and yearning. Another twist I didn’t expect.

From the atmosphere, to the casting, to the creepy monster design, everything worked together. Del Toro did it again. Go see it.


Short Film: “Pop Fiction”

Hilarious new horror from Ryan Stevens. This one had me laughing, alone, on the couch, in the dark.

“Sam and Emma were just like any other couple.. until HE popped in!
A terrifying vintage tale of HORROR… SURVIVAL… and FEAR”

POP FICTION from Ryan Stevens on Vimeo.

Nice work, Ryan! Hope to see more from you.


Guillermo Del Toro’s “Mama”

I just saw the trailer for this upcoming horror, and it looks incredible.

It’s by the producer of Pan’s Labyrinth, so you KNOW it’s going to be beautiful and twisted. I’ll be there opening weekend, you?


Real Life Horror: Investigating the Haitian Zombie

“Rumor has it that there is a secret drug in Haiti that can turn the living into Zombies. In part 1, Hamilton takes off for Port-Au-Prince on a quest for the secret poison.” (6 parts)


Excerpt: “Annabelle”, a Horror Story

I never really loved that child.

I mean, she was an easy birth. And when she got a little older, and I could start putting little bows and ribbons and things on her, she was cute enough.

But I knew right from the start she was evil.

It wasn’t one of those things you could see easily. Hell, I had a hard enough time seeing it myself.

When we’d go out to the market, she’d be sweet as pie. All the old women would come over and tug on those blonde ringlets. They’d caw like ravens and pinch at her cheeks. She’s got these dimples, see, that make the little grannies just about weep with adoration.

I used to tell those biddies they could take her home with them, if they loved her so much. They always giggled from behind their dentures and shook their smiling heads. I wish, just once, that one of them had realized I wasn’t kidding.

I caught the first hints of the demon in her when she’d cry out in the night. Most children, see, they wail. Their little chests suck in all the air they can hold and force it back out, loud as a foghorn through the darkness. Annabelle was different. She hissed. It sounded like a basketful of snakes let loose in her room.

I started turning down the baby monitor. Then I shut it off. Before long, I was closing her door and sleeping with a pillow over my head.

Of course I took her to the doctor; what kind of mother do you think I am? He checked her front and back and upside down and said there wasn’t a damned thing wrong with her. I wanted her to startle at his touch, to cry out so he could hear what I’d heard. She sat there instead, half a hand shoved in her mouth, and the doctor didn’t suspect a thing.

So I bundled her up against the Fall wind and wheeled her back home in her stroller. The strangers we passed all cooed at her. I think that was part of her witchcraft, being able to fool them all like that. They didn’t feel what I felt…

There’s something different about Annabelle. Something unsettling. Something…demonic.
Mommy’s little monster is here.

Annabelle, short horror from Stefanie N Snider

Available now at Amazon


News: Horror Movies Burn Calories

“The study found that films with regular “jump-scare” moments were most likely to help burn calories because they increased the heart rate dramatically…

Some movies were more effective than others…of the 10 films studied, the top calorie-burners were the classic Stanley Kubrick chiller The Shining (184 calories), Jaws (161 calories) and The Exorcist (158 calories).”
-from The Guardian

Click here for the full article, and remember to keep your eyes open during the scary bits if you want to justify that movie-theatre junk food.


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